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Sara Mansfield Taber is the author of Born Under an Assumed Name: The Memoir of a Cold War Spy’s Daughter, the writer’s guide Chance Particulars: A Writer’s Field Notebook, and two books of literary journalism. Her poetry, essays, travel, and…
In a recent interview1, Adam Phillips ventured the hypothesis that psychoanalysis was invented to address the problem of misogyny. This was a bold and unusual statement, and though we’ve long been initiated into Phillips’s refreshing, even scandalous, takes on often…
From time immemorial, there have been crimes committed by women who were driven to pursue their own power. These transgressive crimes center on the tearing down of established systems. They make it possible for us to reflect upon the meaning…
I am writing in the spirit of #MeToo to bear witness to damage that has been done to a subset of women I have known personally in my thirty years of practice as a psychoanalyst, who felt pressured by the…
City of Women is an encounter with the confusion about what happens to a woman’s body over her lifetime. We become divided subjects from the beginning — separated from the womb and ourselves in birth. Then the divided mind, now…
Kate Daniels is the Edwin Mims Professor of English and director of creative writing at Vanderbilt University. She is the author of six collections of poetry, including In the Months of My Son’s Recovery (May 2019).
I’m taken aback when Gloria Steinem, the “face of feminism,” announces on the Today show that she’s had “a little fat removed from above my eyes so I didn’t look like Mao Zedong.” Steinem is referring to the puffy-faced Chinese…
At the 2019 Oscars, Period. End of Sentence won the Oscar for Best Documentary Short. The film, about fighting stigma against menstruation in rural India, marked the first time a film about menstruation made it to the Oscars stage.
Currently trauma is defined less in terms of the personal (the individual) and more in terms of the collective (the social-political) with its potentially insidious soul-destroying qualities. This is Maria Root’s concept of everyday or “insidious trauma.” Root here is…
Currently trauma is defined less in terms of the personal (the individual) and more in terms of the collective (the social-political) with its potentially insidious soul-destroying qualities. This is Maria Root’s concept of everyday or “insidious trauma.” Root here is…
As a psychoanalyst practicing in Mexico City, I have been thinking, writing and researching for decades about the unfathomable phenomenon of feminicide. The cultural, sociological, political, and economic complexities that have contributed to the killing of women are, I believe,…
José Vívenes is a Venezuela-based painter. His work reconsiders the gaze given to collective references. Vívenes assumes painting as a means of communication to reflect on the complex circumstances that his country, Venezuela, is going through.
My country has sunk into a complex humanitarian crisis led by a corrupt autocracy. From the laments of the millions of migrants who comprise the Venezuelan exodus around the world, to country-wide demands for food, medicine, and basic services, to…
Disordered was a collaborative, participatory street art project designed to destigmatize mental health challenges like depression and anxiety, and reframe health as a societal issue. The project took the form of conversations, stickers, signs, and a mural in public spaces…
How did I come to make a film about Dr. Vamik Volkan? The project arose from my experiences being a woman of a particular family rooted in the southern United States. As D.W. Winnicott said, home is where we start…
Vamik Volkan was born in 1932 in a Turkish family on Cyprus, received his medical education in Turkey, and trained in psychiatry and psychoanalysis in the United States. From a career in psychoanalysis in which he published many papers, he…
Room 2.19 is about the powerful intrapsychic and geopolitical forces that threaten to hijack our minds, souls, and agency —and along with that, our communities and countries.
Being involved in global violence prevention and dealing with genocides, gender-based violence, civil wars, and suicides, the last thing on my mind was domestic partisan politics.
