PSYCHOANALYSIS AND PERFORMANCE ART: GO FIGURE! by Aneta Stojnić

Currently trauma is defined less in terms of the personal (the individual) and more in terms of the collective (the social-political) with its potentially insidious soul-destroying qualities. This is Maria Root’s concept of everyday or “insidious trauma.” Root here is referring to the “traumatogenic effects of oppression,” racism, marginalization, and hegemony.

REVISITING A DREAM by Joan Golden-Alexis

Currently trauma is defined less in terms of the personal (the individual) and more in terms of the collective (the social-political) with its potentially insidious soul-destroying qualities. This is Maria Root’s concept of everyday or “insidious trauma.” Root here is referring to the “traumatogenic effects of oppression,” racism, marginalization, and hegemony.

A MAN WHO HATES WOMEN by Raquel Berman

As a psychoanalyst practicing in Mexico City, I have been thinking, writing and researching for decades about the unfathomable phenomenon of feminicide. The cultural, sociological, political, and economic complexities that have contributed to the killing of women are, I believe, intrinsically tied to the fundamental ideology of machismo.

VENEZUELA: A PSYCHOSOCIAL PERSPECTIVE by Mireya Lozada

My country has sunk into a complex humanitarian crisis led by a corrupt autocracy. From the laments of the millions of migrants who comprise the Venezuelan exodus around the world, to country-wide demands for food, medicine, and basic services, to the denunciations of human rights violations and the cries of political prisoners, Venezuela is in grave decline.

VAMIK VOLKAN: A BRIEF INTRODUCTION by Richard Grosse

Vamik Volkan was born in 1932 in a Turkish family on Cyprus, received his medical education in Turkey, and trained in psychiatry and psychoanalysis in the United States. From a career in psychoanalysis in which he published many papers, he eventually found his way to creating a discipline in the application of psychoanalytic ideas to international conflict.

WOOLF AT THE DOOR by Dana Sinopoli

I am sitting in my office, thinking about rooms. Writing for Room has prompted this state of reverie, during which one of my favorite works, A Room of One’s Own, passes through my mind. In her essay, Virginia Woolf writes of the necessity for women to have money and a room of their own in order to write fiction.