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Art

Mohamad Khayata

The paintings, drawings, and photographs that make up my practice grow out of close observation of my surroundings, an awareness of the past, and memory. I am fascinated with the materiality of color and light, the mysteries of proportion and…

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Art

David Bloch

The paintings, drawings, and photographs that make up my practice grow out of close observation of my surroundings, an awareness of the past, and memory. I am fascinated with the materiality of color and light, the mysteries of proportion and…

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Art

Admire Kamudzengerere

Admire Kamudzengerere’s work explores identity, politics, and society, often informed by the multifaceted structural and social issues that have marked Zimbabwe’s last decade. Working in various media, he frequently reveals an unequal world in which the powerful ride roughshod over…

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Art

Jan Cunningham

The paintings, drawings, and photographs that make up my practice grow out of close observation of my surroundings, an awareness of the past, and memory. I am fascinated with the materiality of color and light, the mysteries of proportion and…

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Art

Reuben Sinha

Traversing boundaries, cultures gained and cultures lost, and sensations across time and space are continual themes in my work. I left India at age eight and, ever since, have worked to reconcile what has been lost and found. My work…

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Art

Mia Muratori

For me, artmaking is the documentation of what I see and seek to understand. Watching, synthesizing, recording, I lay it all down with paint, no words, just light, color, shape and space.

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Art

Francesca Schwartz

I am interested in the word, the image, the symbol. I am in love with bone. I am fascinated with the body and the end. The body is an impermanent landscape which we cannot truly know until we have also…

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Art

Grace Bakst Wapner

Grace Bakst Wapner’s work with urethane or satin, clay or bronze, chiffon or pipe cleaners in an interactive dialogue between material and object has been determinative in her process. In the early 1970s she erected walls and barriers constructed from satin…

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Art

Deborah Dancy

Deborah Dancy is a multimedia abstract artist whose paintings, drawings, digital photography, and small sculptures play with the shifting intersection between abstraction and representation. Her many awards include a Guggenheim Fellow, a Yaddo Fellow, the American Antiquarian Society William Randolph…

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Art ©Lia Dostlieva

Lia Dostlieva

Lia Dostlieva (Лія Достлєва) is an artist, cultural anthropologist, and essayist, born in 1984, in Donetsk, Ukraine. She is the recipient of several scholarships, including the Gaude Polonia Scholarship Programme for a Foreign Cultural Professional and a Visiting Fellowship for…

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Art Construction 6 ©Liliana Zavaleta

Liliana Zavaleta

Liliana Zavaleta is a visual artist who was born in Lima, Perú. She grew up in the United States and has lived and studied in Europe, the Near East, and South America. Zavaleta obtained her university degrees in French and…

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Art Absolute Silence ©Kelin Perry

Kelin Perry

Kelin Perry is an artist and architect born in Charlotte, North Carolina. She graduated with a Bachelor of Architecture from SCI-Arc in 1979 and has since practiced architecture in Atlanta, Georgia, where she currently lives. Perry’s art centers on found…

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Art © Jacqueline Shatz

THE GESTURE AND THE MEANING by Jacqueline Shatz

Jacqueline Shatz’s work has been included in exhibitions at the June Kelly, Monique Knowlton, and Kouros galleries in New York City, and she has curated and organized many exhibitions, including CollageLogic which was last presented in 2012 at Hampden Gallery…

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Art © Gjertrud Hals

THE NET by Gjertrud Hals

I was born in 1948, on Finnøy, an island with two hundred inhabitants. My family was living close to the factory where my father and grandfather were mechanics, making and installing engines for the fishing boats. During my childhood, there…

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Art patrick-perkins-rAtADOlvcos-unsplash

GHOSTS OF OUR FORMER SELVES by Eric Chasalow

The songs comprising my October 2020 release, Ghosts of Our Former Selves, including the two presented here, were deliberately composed in a confessional mode. They form a forty-minute sonic memoir that draws on everything I have spent my six-plus decades…

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